(1989), the later of which earned the BAFTA Award for Best Original Screenplay, and was ranked by the Writers Guild of America as the 40th greatest screenplay of all time. Įphron started her career writing the screenplays for Silkwood (1983), Heartburn (1986), and When Harry Met Sally. She is best known for writing and directing romantic comedy films and received numerous accolades including a British Academy Film Award as well as nominations for three Academy Awards, a Golden Globe Award, a Tony Award and three Writers Guild of America Awards. The actors Hugh Grant, Vanessa Redgrave, Sharon Stone, Joanne Woodward and Christopher Reeve were among those who spoke and read between compositions.Nora Ephron ( / ˈ ɛ f r ə n/ EF-rən May 19, 1941 – June 26, 2012) was an American journalist, writer, and filmmaker. Robbins’ work was honored in 1996 at a gala concert at Carnegie Hall to benefit AIDS research. And in 1994, inspired by a leper couple he had heard singing a duet beneath his Bombay hotel window, he directed a Merchant Ivory feature documentary, “Street Musicians of Bombay,” about the street life of that Indian city. In addition to his work as a composer, Robbins made brief appearances in several Merchant Ivory films, often as a dancer, a favorite pastime. After graduating from the New England Conservatory in Boston, he received a fellowship through a fund established by the philanthropist Frank Huntington Beebe to continue his studies in Vienna for a year. ![]() 4, 1940, in South Weymouth, Mass., and began playing the piano at the age of 5. “Dick was right there, advising her and telling her how to play it, although those are her hands and she plays it every step of the way,” Ivory said. Robbins was responsible for choosing and supervising all the music for the Merchant Ivory films he worked on, from the pop songs for “Slaves of New York” in 1989 to the Puccini aria “O mio babbino caro” for “A Room With a View.” And when an actor played music in a film - Helena Bonham Carter playing a Beethoven sonata in a key scene from the same 1985 film - he guided that too. In ‘The Remains of the Day,’ it happened when I first saw the shot of Emma Thompson walking down the hall toward the camera. ![]() That can happen all at once: It can be as simple as watching one of the characters enter a room or walk down a hallway. the hard part of writing the score is over, because I know how I feel about a character,” he said in the interview posted on the Merchant Ivory website. ![]() Of the melancholy, evocative score for “The Remains of the Day,” Robbins said in a 2000 interview with writer Chris Terrio that his inspiration had come from a single scene featuring actress Emma Thompson. The score won a top award at the Venice Film Festival, and Robbins often described it as his favorite. ![]() But his work embraced a wide range of music and musical styles: He created an opera for 1980’s “Jane Austen in Manhattan,” incorporated street sounds of India for 1983’s “Heat and Dust” and evoked Parisian nightclubs of the Jazz Age for “Quartet” in 1981.Īlthough his compositions were heavily influenced by the minimalist composers Philip Glass and Steve Reich, Robbins also occasionally wrote romantic, lushly orchestrated music, including for “Maurice,” the 1987 film based on the E.M. The first score Robbins developed for a Merchant Ivory film was for the period drama “The Europeans,” based on the Henry James novel, which drew on the music of Clara Schumann and Stephen Foster. And soon, he was writing really wonderful original music.” “I think the more Dick did, the more he realized he could do.
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